Lisbeth Gruwez dances Bob Dylan
DJD Dance Studio, Saturday November 3
Review by Stephen Hunt
I never realized I miss Bob Dylan, until Lisbeth Gruwez danced him back into my life.
Belgian native Gruwez paid a return visit to the Fluid Festival this weekend, performing a solo jukebox dance performance that was as informal, and poetic and intimate as the music itself.
Gruwez didn’t actually go searching for some Dylan songs to choreograph a new show to.
Instead, that was the music her creative partner Maarten Van Cauwenberghe would play for her to warm up to prior to a performance — melodious, rhythmic, relaxed and filled with unforgettable imagery.
Not music you’d put on if you were deejaying in a nightclub — but from the moment the first notes — along with some snap, crackle and pop from the needle hitting the LP — it sounded right.
Gruwez is a relaxed, intimate performer who has a way of eliminating the imaginary border that separates the performer from the audience.
The piece itself is essentially minimalist: just Gruwez, with Van Cauwenberghe upstage right, playing Dylan records, like some retro DJ who escaped from a West Village house party circa 1963.
It all has a very improvisational feel to it, in the best way — it feels fresh, unselfconscious, and hopeful, sort of like I hear the 60’s were for the world.
Dylan’s melodies and his lyrics — his storytelling, whether on the bluesy Blind Willie Lemon or something more iconic, like Lay Lady Lay — remind you of why Bob Dylan meant so much, to so many. They’re personal and informal, much like Gruwez’s performances, and transformative too — Dylan’s songwriting stripped the artifice away from American music much the same way Gruwez strips the artifice away from contemporary dance.
More Fluid Festival:
- Fluid Festival balances caution with high hopes to generate beautiful movement
- What’s skin got to do with it? Tzeng explores identity with That ch*nk in y/our armour
Stephen Hunt is the 2018 Fluid Festival writer in residence. He donated 100% of his fee to Springboard Arts.
Contact: stephenbhunt@gmail.com/ Twitter@halfstep/Instagram@halfstep86
(Feature photograph Lisbeth Gruwez. Copyright Luc Depreitere)
January 16, 2024 at 10:40 am
How does the improvisational and unselfconscious feel of Gruwez’s performances parallel the impact of Bob Dylan’s melodies and storytelling, emphasizing their personal and transformative qualities in their respective art forms? Visit our Telkom University
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